{"id":198,"date":"2009-04-04T21:31:54","date_gmt":"2009-04-04T21:31:54","guid":{"rendered":"http:\/\/saryuparikh.gujaratisahityasarita.org\/?page_id=198"},"modified":"2016-10-28T18:50:48","modified_gmt":"2016-10-28T18:50:48","slug":"%e0%aa%a6%e0%aa%bf%e0%aa%b2%e0%ab%80%e0%aa%aa%e0%aa%a8%e0%aa%be-%e0%aa%9a%e0%aa%bf%e0%aa%a4%e0%ab%8d%e0%aa%b0%e0%ab%8b","status":"publish","type":"page","link":"https:\/\/saryuparikh.gujaratisahityasarita.org\/?page_id=198","title":{"rendered":"\u0aa6\u0abf\u0ab2\u0ac0\u0aaa\u0aa8\u0abe \u0a9a\u0abf\u0aa4\u0acd\u0ab0\u0acb-Dilip’s Paintings"},"content":{"rendered":"
\"painting<\/a>

painting by Dilip Parikh 2016<\/p><\/div>\n

\n

\"\"<\/a><\/p>\n

Village, by <\/em>Dilip Parikh\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0ab8\u0abe\u0ab9\u0ac7\u0ab2\u0ac0\u0aa8\u0acb \u0ab8\u0abe\u0aa5, \u0aa8\u0abf\u0ab0\u0acd\u0aae\u0ab3 \u0aa8\u0ac0\u0ab2 \u0a86\u0a95\u0abe\u0ab6
\n\u0aa8\u0ac0\u0ab0 \u0aa8\u0ac2\u0aaa\u0ac1\u0ab0 \u0aa8\u0ac7 \u0aa8\u0ac8\u0aa3\u0abe \u0a86\u0aa8\u0a82\u0aa6\u0ac7 \u0a9b\u0ab2\u0a95\u0abe\u0aa4\u0abe \u0a9c\u0abe\u0aaf–\u0ab8\u0ab0\u0aaf\u0ac2<\/p>\n

June 2009<\/p>\n

Details:<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

NOTE: DUE TO LOWER RESOLUTION OF THE CAMERA (AND REFLECTION ETC.), THE DISPLAYED DIGITAL PHOTOS OF THE PAINTINGS ARE OF INFERIOR QUALITY AND I DO FEEL SORRY FOR THAT. I WILL TRY TO CORRECT THE SITUATION.<\/p>\n

www.dilipparikh.gujaratisahityasarita.org<\/p>\n

#01.
\n\"\"<\/p>\n

PAINTING #1 ( BY DILIP PARIKH)
\nA FEELING OF DEVOTION (AS SUJATA WORSHIPING BUDDHA)<\/p>\n

\u0a86\u0a82\u0a96\u0acd\u0aaf\u0ac1\u0aae\u0abe\u0a82 \u0a9b\u0ac7 \u0a85\u0aa4\u0ac3\u0aaa\u0acd\u0aa4 \u0a87\u0a82\u0aa4\u0a9c\u0abe\u0ab0
\n\u0aae\u0ac7\u0a82 \u0ab8\u0a9c\u0acd\u0aaf\u0abe \u0a86\u0a9c \u0ab8\u0acb\u0ab3 \u0ab6\u0aa3\u0a97\u0abe\u0ab0
\n\u0aaa\u0ac1\u0ab7\u0acd\u0aaa\u0acb \u0ab8\u0aae \u0a95\u0acb\u0ab3\u0ac7\u0ab2\u0abe \u0ab6\u0aae\u0aa3\u0abe\u0a93
\n\u0a9c\u0acb\u0a89\u0a82 \u0a85\u0a9f\u0abe\u0ab0\u0ac0\u0a8f \u0aa5\u0ac0 \u0aa4\u0abe\u0ab0\u0ac0 \u0ab5\u0abe\u0a9f<\/p>\n

\u0a9c\u0aa8\u0acd\u0aae\u0aa6\u0abf\u0aa8\u0aa8\u0ac0 \u0ab5\u0aa7\u0abe\u0aae\u0aa3\u0ac0 \u0ab8\u0a9c\u0aa8!
\nCOMMENT \u2014VIJAY SHAH<\/p>\n

#02.
\n\"IMG_7731\"<\/a><\/p>\n

PAINTING #2 : E=MC2 \/ CREATION (DILIP PARIKH)
\n(THIS WILL BE APPLICABLE TO MY ALL E=MC2 PAINTINGS).<\/p>\n

THIS PAINTING HAS TWO ASPECTS: SCIENCE AND RELIGION (PHYSICS AND SPIRITUAL).<\/p>\n

A. SCIENCE\/PHYSICS ASPECT:<\/p>\n

MATTER AND ENERGY ARE TWO DIFFERENT STATES OF THE SAME THING (EINSTEIN : E = MC2).<\/p>\n

\u201cTHERE WAS A TIME CALLED THE \u2018BIG BANG\u2019 WHEN THE UNIVERSE WAS INFINITESIMALLY SMALL AND DENSE. GOD CREATED THE UNIVERSE AT THE BIG BANG\u201d. \u2014\u2014-\u00a0 (STEPHEN HAWKINS)<\/p>\n

THE \u2018BLACK CIRCLE\u2019 IN THE CENTER REPRESENTS A \u2018BLACK HOLE\u2019 \u2014 A SOURCE OF THE ENERGY, WHICH MANIFESTED AS THE VISIBLE UNIVERSE (SHOWN IN THE PAINTINGS AS SEVERAL GALXIES).<\/p>\n

B. RELIGION\/SPIRITUAL ASPECT:<\/p>\n

ISHA UPNISHAD SAYS:<\/p>\n

OM PARNAM-ADIH PURNAM-IDAM
\nPURNAAT PURNAM UDACYATE \u2014\u2014\u2014\u2014<\/p>\n

THE LITERAL TRANSLATION IS: THAT IS INFINITE, THIS IS INFINITE. FROM THAT INFINITE THIS INFINITE COMES \u2014\u2014\u2013<\/p>\n

INFINITE MEANS LIMITLESS, TIMELESS \u2014-NO BEGINNING, NO END.
\nTHE LIMITLESS BRAHMAN REMAINS UNCHANGED EVEN AFTER INFINITE UNIVERSE COMES OUT OF IT. BRAHMAN IS THAT FROM WHICH EVERYTHING COMES FROM, IS SUSTAINED, AND INTO WHICH EVERYTHING GETS DISSOLVED. THE EXPERIENCE OF DUALITY IS APPARENT (UNREAL).<\/p>\n

EVERYTHING IS NOTHING BUT THE LIMITLESS, INFINITE BRAHMAN.<\/p>\n

SPIRITUAL SCIENCE INDICATES ALL CREATED THINGS ORIGINATE IN THE COSMIC ENERGY OF AUM \u2014THE UNIVERSAL ENERGY MANIFESTED AS MATTER.<\/p>\n

(DILIP PARIKH)<\/p>\n

#03A<\/p>\n

\"IMG_7733\"<\/a><\/p>\n

PAINTING #3A : E = MC2 \/SATYAM, SHIVAM, SUNDARAM (DANCE)<\/p>\n

\u0a95\u0abe\u0ab5\u0acd\u0aaf\u0acb\u0aae\u0abe\u0a82 \u0aad\u0abe\u0ab5\u0aad\u0ac0\u0aa8\u0ac0 \u0ab2\u0abe\u0a97\u0aa3\u0ac0\u0aa8\u0ac1 \u0aa8\u0ab0\u0acd\u0aa4\u0aa8
\n\u0ab8\u0aa4\u0acd\u0aaf\u0ab6\u0abf\u0ab5\u0aae \u0a9a\u0ac7\u0aa4\u0aa8\u0abe\u0aa8\u0ac1 \u0aa8\u0ac3\u0aa4\u0acd\u0aaf\u0acb\u0aae\u0abe\u0a82 \u0aa6\u0ab0\u0acd\u0ab6\u0aa8
\n\u0ab8\u0ab0\u0aaf\u0ac2 \u0aaa\u0ab0\u0ac0\u0a96<\/p>\n

#03B
\n\"IMG_0401\"<\/a><\/p>\n

PAINTING #3B : E = MC2 \/ SATYAM, SHIVAM, SUNDRAM (MUSIC) \u2014\u2013\u00a0DILIP PARIKH<\/p>\n

\u0ab8\u0abe\u0aa7\u0a95\u0aa8\u0ac1 \u0aa6\u0abf\u0ab5\u0acd\u0aaf \u0a9c\u0ac0\u0ab5\u0aa8 \u0ab8\u0abe\u0aa7\u0aa8\u0abe\u0aa8\u0ac7 \u0a85\u0ab0\u0acd\u0aaa\u0aa3
\n\u0aab\u0ab2\u0ab6\u0acd\u0ab0\u0ac2\u0aa4\u0abf \u0ab8\u0ac1\u0a96 \u0ab6\u0abe\u0a82\u0aa4\u0abf \u0aaa\u0acd\u0ab0\u0aa3\u0ab5\u0aa8\u0ac7 \u0ab8\u0aae\u0ab0\u0acd\u0aaa\u0aa3
\n\u0ab8\u0ab0\u0aaf\u0ac2 \u0aaa\u0ab0\u0ac0\u0a96<\/p>\n

SPIRITUAL SCIENCE INDICATES ALL CREATED THINGS ORIGINATE IN THE COSMIC ENERGY OF AUM \u2014THE UNIVERSAL ENERGY MANIFESTED AS MATTER.<\/p>\n

SPOTNTANEOUS DANCE (MUSIC OR ANY ACTIVITY) WITHOUT THE INTERFERENCE OF ANY THOUGHT CREATES A RHYTHAMIC MOVEMENT, WHICH CAN LEAD TO HARMONY. PEACE AND SERENITY. THIS IS DYNAMIC MEDITATION AND ONENESS WITH THE UNIVERSAL CONSCIOUSNESS (BRAHMAN OR TAO OR ISHVAR \u2026) MAY BE EXPERIENCED.<\/p>\n

WHEN THE MIND IS TOTALLY FREE OF ALL THE OBSTACLES (A STATE OF PURE SILENCE), THEN \u201cSATYAM\u201d (TRUTH) IS EXPERIENCED.<\/p>\n

\u201cSHIVAM\u201d MEANS \u201dSATYAM\u201d (TRUTH) IN ACTION.
\nWHEN ONE EXPERIENCES AND LIVES \u201cSATYAM\u201d FROM MOMENT TO MOMENT(A WAY OF LIFE), THEN IT IS \u201cSHIVAM\u201d.<\/p>\n

WHEN EVERY ACTION IS \u201cSHIVAM\u201d THEN THIS TOTALITY FLOWERS AS BEAUTY (THE LIFE BECOMES A FRAGRANCE), WHICH IS \u201cSUNDRAM\u201d (DILIP PARIKH)<\/p>\n

#04.<\/p>\n

\"IMG_7729\"<\/a><\/p>\n

PAINTING #4 : E=MC2 \/ TRANQUILITY (DILIP PARIKH)<\/p>\n

THE FIRST E=MC2 PAINTING (#2), SHOWS \u2018WOMAN\u2019 AS A CREATOR. MY ALL OTHER E=MC2 PAINTINGS HAVE\u00a0 TWO FACES MERGE IN ONE (PURUSH AND PRAKRITI,\u00a0 INTELLIGENCE AND EMOTION OR YANG AND YIN) \u2014-REPRESENTING ABSOLUTE AND MANIFESTED ENERGY. THE MALE IS THE CREATIVE POWER AND THE FEMALE, THE MATERNAL ELEMENT. THE CREATOR AND THE CREATION ARE NOT SEPARATE, BUT THE ONE.<\/p>\n

SPIRITUAL SCIENCE INDICATES ALL CREATED THINGS ORIGINATE IN THE COSMIC ENERGY OF AUM \u2014THE UNIVERSAL ENERGY MANIFESTED AS MATTER.<\/p>\n

#05.<\/p>\n

\"ART03\"<\/a><\/p>\n

PAINTING #5 : E=MC2 \/ TRANQUILITY (DETAILS) \u2014-DILIP PARIKH<\/p>\n

\u0ae66
\n\"IMG_7730\"<\/a><\/p>\n

PAINTING #6 : E=MC2 \/ TRANQUILITY (DETAILS) \u2014\u2013DILIP PARIKH<\/p>\n

07
\n\"E=MC2<\/a><\/p>\n

PAINTING #7 : E=MC2 \/ HARMONY<\/p>\n

#08<\/p>\n

\"IMG_7724\"<\/a><\/p>\n

PAINTING #8 : E=MC2 \/ HARMONY (DETAILS)<\/p>\n

#09<\/p>\n

\"RAGESHREE\"<\/a><\/p>\n

PAINTING #09 : RAGESHREE (ROMANTIC RAGA)<\/p>\n

\u0aae\u0a82\u0a9c\u0ac1\u0ab2 \u0a8f \u0aaa\u0acd\u0ab0\u0ac7\u0aae\u0ab0\u0abe\u0a97 \u0a95\u0ac7\u0a9f\u0ab2\u0ac0\u0aaf\u0ac7 \u0ab0\u0abe\u0aa4
\n\u0ab0\u0ab8\u0abf\u0ab2\u0ac0 \u0ab2\u0aaf \u0ab0\u0a9a\u0aa8\u0abe \u0a85\u0aa8\u0ac7\u0a95 \u0ab5\u0abf\u0aa7 \u0ab5\u0abe\u0aa4
\n\u0ab8\u0ab0\u0aaf\u0ac2 \u0aaa\u0ab0\u0ac0\u0a96<\/p>\n

PAINTING #10
\n\"MEGHDOOT.2\"<\/a><\/p>\n

PAINTING #10 : MEGH DOOT (CLOUD MESSENGER)<\/p>\n

THE YAKSHA SENT HIS MESSENGER (THE CLOUD), TO YAKSHAPURI. HE SAID TO CLOUD: \u201cTHERE YOU WILL FIND ALLURING SIGHTS! ANGELIC PEASANT DAMSELS PLAYING.DEAR CLOUD! YOUR EYES WILL RECOGNIZE MY YAKSHINI, MY HEAVENLY FLOWER!\u201d<\/p>\n

\u2014\u2014\u2014\u2014\u2013KALIDAS (MEGH DOOT).
\n\u0ab8\u0abe\u0a82\u0ab5\u0ab0\u0abf\u0aaf\u0abe \u0aa8\u0abe \u0a86\u0ab5\u0ac0\u0aaf\u0abe, \u0aaa\u0ab0\u0ab5\u0ab6 \u0ab9\u0ab6\u0ac7 \u0ab5\u0abf\u0aa6\u0ac7\u0ab6
\n\u0ab5\u0abf\u0ab9\u0acd\u0ab5\u0ab3 \u0ab5\u0acd\u0aaf\u0abe\u0a95\u0ac1\u0ab3 \u0ab8\u0abe\u0ab9\u0ac7\u0ab2\u0ac0, \u0ab8\u0ac2\u0aa3 \u0aae\u0ac7\u0a98\u0aa6\u0ac2\u0aa4 \u0ab8\u0a82\u0aa6\u0ac7\u0ab6
\n\u0ab8\u0ab0\u0aaf\u0ac2 \u0aaa\u0ab0\u0ac0\u0a96.<\/p>\n

comment:
\nyour paintings is \u0936\u093e\u0921\u093c\u0930\u094d\u0917\u093f\u0923: \u0935\u0930\u094d\u0923\u091a\u094c\u0930\u0947
\n\u091c\u092f\u0924\u0941 \u0935\u093f\u0936\u094d\u0935\u0935\u093f\u0926\u094d\u092f\u093e\u0932\u092f \u0915\u093e\u0936\u0940
\nDileep Kumar
\nPh.D.(pursuing)
\nBanaras Hindu University,
\nVaranasi – 221 005. (U.P)<\/p>\n

meaning of : \u0936\u093e\u0921\u093c\u0930\u094d\u0917\u093f\u0923: \u0935\u0930\u094d\u0923\u091a\u094c\u0930\u0947 \u2013 \u0915\u0943\u0937\u094d\u0923 \u0915\u0947 \u0927\u0928\u0941\u0937 \u0915\u093e \u0928\u093e\u092e \u0936\u093e\u0921\u093c\u0930\u094d\u0917 \u0939\u0948, \u0907\u0938\u0932\u093f\u092f\u0947 \u0909\u0938\u0947 \u0936\u093e\u0921\u093c\u0930\u094d\u0917\u0940 \u0915\u0939\u0924\u0947 \u0939\u0948\u0902\u0964 \u0915\u0943\u0937\u094d\u0923 \u0915\u093e \u0935\u0930\u094d\u0923 \u0936\u094d\u092f\u093e\u092e \u0939\u0948 \u0924\u0925\u093e \u092e\u0947\u0918 \u0915\u093e \u0935\u0930\u094d\u0923 \u092d\u0940 \u0936\u094d\u092f\u093e\u092e \u0939\u0948; \u0905\u0924: \u0909\u0938\u0947 \u0915\u0943\u0937\u094d\u0923 \u0915\u0947 \u0935\u0930\u094d\u0923 \u0915\u094b \u091a\u0941\u0930\u093e\u0928\u0947 \u0935\u093e\u0932\u093e \u0915\u0939\u093e \u0917\u092f\u093e \u0939\u0948\u0964
\nThis is taken from meghdoot by kalidas who had described cloud as a thief who has stolen colour of lord shree krishna. I used this simile because your painting of meghdoot is serene. I liked it from my deep down. of course I came to ur blog by accident I was just searching depiction of this great book on google.
\nMay king of kashi lord shiva bless your brush so that you can make more enchanting painting like this.
\nregards,
\ndileep k sharma<\/div>\n
<\/div>\n
<\/div>\n

\"SPRING.1\"<\/a><\/p>\n

—————————–<\/p>\n

    \n
  1. gss<\/cite> Says:
    \n    November 2nd, 2007 at 3:17 am<\/span><\/a>\u0a86\u0a82\u0a96\u0acd\u0aaf\u0ac1\u0aae\u0abe\u0a82 \u0a9b\u0ac7 \u0a85\u0aa4\u0ac3\u0aaa\u0acd\u0aa4 \u0a87\u0a82\u0aa4\u0a9c\u0abe\u0ab0
    \n\u0aae\u0ac7\u0a82 \u0ab8\u0a9c\u0acd\u0aaf\u0abe \u0a86\u0a9c \u0ab8\u0acb\u0ab3 \u0ab6\u0aa3\u0a97\u0abe\u0ab0
    \n\u0aaa\u0ac1\u0ab7\u0acd\u0aaa\u0acb \u0ab8\u0aae \u0a95\u0acb\u0ab3\u0ac7\u0ab2\u0abe \u0ab6\u0aae\u0aa3\u0abe\u0a93
    \n\u0a9c\u0acb\u0a89\u0a82 \u0a85\u0a9f\u0abe\u0ab0\u0ac0\u0a8f \u0aa5\u0ac0 \u0aa4\u0abe\u0ab0\u0ac0 \u0ab5\u0abe\u0a9f\u0a9c\u0aa8\u0acd\u0aae\u0aa6\u0abf\u0aa8\u0aa8\u0ac0 \u0ab5\u0aa7\u0abe\u0aae\u0aa3\u0ac0 \u0ab8\u0a9c\u0aa8!<\/li>\n<\/ol>\n
      \n
    1. Deepak Bhatt<\/cite> Says:
      \n      February 11th, 2008 at 5:40 am<\/span><\/a>Dilipbhai and Saryuben,The combination of two of you is synergy.Dilipbhai expresses his feelings through pictures and Saryuben gives words to reinforce it. I am very fortunate to see Dilipbhai\u2019s many pictures; but from this set, my favorite is Meghdoot (painting #10). Maybe it is because of my bias to works of Kalidas.Would like to see some more articles on spirituality and its connection with pictures. Thanks.<\/li>\n
    2. \u0ab5\u0abf\u0ab6\u0acd\u0ab5\u0aa6\u0ac0\u0aaa \u0aac\u0abe\u0ab0\u0aa1<\/a><\/cite> Says:
      \n      April 17th, 2008 at 11:59 pm<\/span><\/a>\u0a95\u0ab5\u0abf \u0ab9\u0ac3\u0aa6\u0aaf, \u0a8a\u0ab0\u0acd\u0aae\u0abf \u0ab6\u0aac\u0acd\u0aa6 \u0ab8\u0ab9\u0abe\u0ab0\u0ac7..\u0ab8\u0ab9\u0abe\u0ab0\u0ac7 \u0ab5\u0abf\u0ab9\u0abe\u0ab0\u0ac7..
      \n\u0a9a\u0abf\u0aa4\u0acd\u0ab0\u0a95\u0abe\u0ab0, \u0ab9\u0ac3\u0aa6\u0aaf \u0a8a\u0ab0\u0acd\u0aae\u0abf \u0aaa\u0ac0\u0a9b\u0ac0\u0a82 , \u0ab0\u0a82\u0a97\u0aa8\u0ac7 \u0ab8\u0ab9\u0abe\u0ab0\u0ac7 \u0ab8\u0ab9\u0abe\u0ab0\u0ac7 \u0ab5\u0abf\u0ab9\u0abe\u0ab0\u0ac7..\u0a86\u0aaa\u0aa8\u0abe \u0ab8\u0ac1\u0a82\u0aa6\u0ab0 \u0a9a\u0abf\u0aa4\u0acd\u0ab0\u0acb \u0a9c\u0acb\u0a88..\u0aae\u0aa8 \u0aaa\u0acd\u0ab0\u0aab\u0acd\u0aab\u0ac1\u0ab2\u0abf\u0aa4 \u0aa5\u0aaf\u0ac1\u2026<\/li>\n
    3. \u0ab5\u0abf\u0ab6\u0acd\u0ab5\u0aa6\u0ac0\u0aaa \u0aac\u0abe\u0ab0\u0aa1<\/a><\/cite> Says:
      \n      April 18th, 2008 at 12:05 am<\/span><\/a>\u0a86\u0aa7\u0acd\u0aaf\u0abe\u0aa4\u0acd\u0aae\u0abf\u0a95\u0aa4\u0abe \u0ab8\u0abe\u0aa5\u0ac7 \u0aaa\u0ac0\u0a9b\u0ac0\u0a82\u0aa8\u0ac0 \u0a95\u0ab0\u0abe\u0aae\u0aa4, \u0ab8\u0abe\u0aa5\u0ac7 \u0ab0\u0a82\u0a97\u0acb\u0aa8\u0ac0 \u0ab8\u0ac1\u0a82\u0aa6\u0ab0\u0aa4\u0abe \u0aad\u0ab3\u0ac7 \u0a85\u0aa8\u0ac7 \u0a8f \u0a9a\u0abf\u0aa4\u0acd\u0ab0\u0acb\u0aa8\u0ac0 \u0a85\u0a82\u0aa6\u0ab0 \u0ab0\u0ab9\u0ac7\u0ab2\u0ac0 \u0aad\u0abe\u0ab5\u0ac1\u0a95\u0aa4\u0abe..\u0aaa\u0ac0\u0a9b\u0abe\u0aa3\u0ab5\u0ac0..\u0aa5\u0acb\u0aa1\u0ac0 \u0a85\u0a98\u0ab0\u0ac0 \u0a96\u0ab0\u0ac0..!!!\u0ab8\u0ac1\u0a82\u0aa6\u0ab0 \u0a9a\u0abf\u0aa4\u0acd\u0ab0\u0acb \u0a9c\u0acb\u0a88..\u0aae\u0aa8 \u0aaa\u0acd\u0ab0\u0aab\u0ac1\u0ab2\u0acd\u0ab2\u0acd\u0aa4\u0abf \u0aac\u0aa8\u0ac0 \u0a97\u0aaf\u0ac1\u0a82..<\/li>\n
    4. Comment:
      \n\u0ab8\u0ac1\u0a82\u0aa6\u0ab0 \u0a9a\u0abf\u0aa4\u0acd\u0ab0\u0acb \u0aae\u0abe\u0aa3\u0acd\u0aaf\u0abe\u0a82. \u0a85\u0aad\u0abf\u0aa8\u0a82\u0aa6\u0aa8.<\/li>\n<\/ol>\n

      \u0aaf\u0ab6\u0ab5\u0a82\u0aa4 \u0aa0\u0a95\u0acd\u0a95\u0ab0<\/p>\n

      \"\"<\/p>\n

      \u0a9a\u0abf\u0aa4\u0acd\u0ab0\u0a83\u00a0\u0aa6\u0abf\u0ab2\u0ac0\u0aaa \u0aaa\u0ab0\u0ac0\u0a96
      \n\u0ab6\u0aac\u0acd\u0aa6\u0acb\u0aa8\u0acb \u0a98\u0acb\u0a82\u0a98\u0abe\u0a9f \u0aae\u0aa8\u0ac7 \u0aa8\u0aa5\u0ac0 \u0a97\u0aae\u0aa4\u0acb
      \n\u0ab6\u0abe\u0a82\u0aa4\u0abf\u0aa8\u0acb\u00a0\u0ab8\u0acd\u0ab5\u0ab0 \u0aa4\u0aae\u0aa8\u0ac7 \u0aa8\u0aa5\u0ac0 \u0a97\u0aae\u0aa4\u0acb
      \n\u0aaa\u0aa3 \u0a9c\u0abe\u0aa3\u0acb \u0a9b\u0acb?
      \n\u0a8f \u0a9c \u0a9b\u0ac7 \u0ab0\u0ab9\u0ab8\u0acd\u0aaf \u0a86\u0aaa\u0aa3\u0ac0 \u0ab8\u0a82\u0ab5\u0abe\u0aa6\u0abf\u0aa4\u0abe\u0aa8\u0acb<\/p>\n

      \u0ab8\u0ab0\u0aaf\u0ac2 \u0aaa\u0ab0\u0ac0\u0a96<\/p>\n","protected":false},"excerpt":{"rendered":"

      Village, by Dilip Parikh\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0ab8\u0abe\u0ab9\u0ac7\u0ab2\u0ac0\u0aa8\u0acb \u0ab8\u0abe\u0aa5, \u0aa8\u0abf\u0ab0\u0acd\u0aae\u0ab3 \u0aa8\u0ac0\u0ab2 \u0a86\u0a95\u0abe\u0ab6 \u0aa8\u0ac0\u0ab0 \u0aa8\u0ac2\u0aaa\u0ac1\u0ab0 \u0aa8\u0ac7 \u0aa8\u0ac8\u0aa3\u0abe \u0a86\u0aa8\u0a82\u0aa6\u0ac7 \u0a9b\u0ab2\u0a95\u0abe\u0aa4\u0abe \u0a9c\u0abe\u0aaf–\u0ab8\u0ab0\u0aaf\u0ac2 June 2009 Details: NOTE: DUE TO LOWER RESOLUTION OF THE CAMERA (AND REFLECTION ETC.), THE DISPLAYED DIGITAL PHOTOS OF THE PAINTINGS ARE OF INFERIOR QUALITY AND I DO FEEL SORRY FOR THAT. I WILL TRY TO CORRECT THE SITUATION. […]<\/p>\n","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-198","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/saryuparikh.gujaratisahityasarita.org\/index.php?rest_route=\/wp\/v2\/pages\/198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/saryuparikh.gujaratisahityasarita.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/saryuparikh.gujaratisahityasarita.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/saryuparikh.gujaratisahityasarita.org\/index.php?rest_route=\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/saryuparikh.gujaratisahityasarita.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=198"}],"version-history":[{"count":0,"href":"https:\/\/saryuparikh.gujaratisahityasarita.org\/index.php?rest_route=\/wp\/v2\/pages\/198\/revisions"}],"wp:attachment":[{"href":"https:\/\/saryuparikh.gujaratisahityasarita.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}